by Brodie H. Brockie
We drove down to Amish country one weekend last summer to get some
bargains at the flea market and, secretly, also to play amateur Margaret
Mead . The true allure of the excursion, of course, was not potential
bargains or homespun quality items, but to observe these people who
lived in a culture within our culture, a societal island.
To gawk.
It was a sweltering hot day, and we didn't stay at the market long. On
the way out town, we stopped at a local ice cream shop for relief. All
the employees of the shop were pretty Amish girls in pink dresses and
white bonnets, and all of them were named "Laura".
There was an item on the menu that had an unfamiliar name, and my father
asked the Laura who was waiting on us what it was.
"It's, like, kind of like a shake," our Laura answered.
If my little knowledge of Amish life is correct, Laura has never seen
Clueless nor watched MTV, yet here she was, using the popular and
useless vernacular favored by her peers across the nation who wear
butterfly barrettes and shoes with lights on them.
Had just my fellow gawkers, the tourists and travelers, managed to
infect the Amish with their "like" or was Laura a faux Amish for our
benefit, like a character in a theme park? I half expected to turn and
see the sweat on the face of one of the old men make his glued-on beard
slip off.
But children across America play freeze tag and Marco Polo, though
they've never read the rules from any book. A poor boy in an inner city
breaks the band on his watch and decides, on a whim, to wear it around
his neck on a shoestring. Within a few weeks, affluent children in a
suburb on the other side of the country pile off a clean yellow
schoolbus. Their watches bounce on shoestrings around their neck as
they run toward class.
And the Amish say "like." Ask them why, and they won't know.
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